Meaning & Analysis
The proverb states directly that women, as a group, tend to talk more than men.
Insights
Speech as Social Disorder
The proverb functions as a metaphor for social disorder, where excessive female speech symbolizes a disruption of the patriarchal ideal of a quiet, orderly, male-controlled world. The associated imagery of 'clatter' and 'prating' suggests chaos rather than coherent communication.
Talk as Domestic Power
Metaphorically, 'talk' can represent a form of informal, domestic power. In historical contexts where women were excluded from formal authority, speech, gossip, and social networking were primary tools for exerting influence, building community, and navigating social hierarchies.
Gendered Modes of Expression
The proverb reinforces a gendered dichotomy of expression, where 'talk' is coded as a feminine trait, implicitly contrasted with a masculine ideal of silent action or concise, authoritative speech. It metaphorically assigns different modes of being and influence to men and women.
Historical and Cultural Stereotype
This proverb reflects a deep-seated historical stereotype, prevalent in the 16th and 17th centuries, where female speech was often characterized as trivial, incessant, and disruptive. The historical quotations, comparing women's talk to the clatter of a mill or the chattering of magpies, frame it not merely as communication but as noise, betraying a patriarchal anxiety about female expression in a society where public discourse was male-dominated.
Psychological and Social Control
From a psychological perspective, the proverb functions as a tool of social control, reinforcing gender roles by framing a neutral human activity—talking—as an inherently female, and implicitly negative, trait. It perpetuates a confirmation bias where instances of talkative women are seen as proof of the rule, while quiet women are dismissed as exceptions.
Literary and Cultural Trope
The proverb's sentiment is a recurring trope in Western literature, often used to characterize female figures as either sources of comic relief, domestic chaos, or bearers of gossip. This reinforces a cultural narrative that associates masculinity with stoic action and femininity with frivolous speech, a dichotomy that has been both perpetuated and subverted in literary history.
Rhetorical Devices
Stereotypical Generalization
The proverb employs a sweeping generalization to apply a specific trait to an entire, diverse group of people. This rhetorical strategy is the foundation of stereotyping and is what gives the proverb its prescriptive, and biased, force.
Hyperbole
The word 'great' functions as hyperbole, exaggerating the quantity of women's speech to imply that it is excessive or overwhelming. This amplifies the critical undertone of the statement.
Onomatopoeia (in citations)
The historical quotations associated with the proverb frequently use onomatopoeia (e.g., 'clattering', 'clitter clatter') to audibly represent women's speech as meaningless noise, reinforcing its perceived triviality.
Transcription
Quotations
But [women] ar as coy and styll As the horle wynde or clapper or a mylle.
They say, women will euer be clattering.
Youe know womens Clackes will walke with euery wynde.
Olde women haue much clitter clatter.
My tongue Swears I am woman still, I talk too long.
You say, Women are greatest talkers.
Women must haue their words.
Where there are women, there is much tatling.
Not taking pleasure in your tongue, which is a womans chiefest pleasure.
Woman, for the most part, hath the glibbest tongue.
Women and magpies are alwaies prating.
Cross References
Related Proverbs
Original Scan


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